Burroughs Adding Machine

Social justice, arts and politics, life in New York City

Banksy Critiques The Simpsons

Powerhouse political artist/activist Banksy reimagined the iconic intro to The Simpsons last night. The clip starts innocuously enough, the idiot bullies lopping the head off a Springfield statue and rodents running across the landscape.

However, at the end of the intro, when Homer is pushed through the Simpsons’ garage into the family room, the ordinary tableau of the animated family in front of the TV abruptly shifts to a dark critique of commercialization: animators pushing out animated stills, factory-like; Simpsons dolls stuffed with rat guts; and a deflated unicorn (absurd and heartbreaking at the same time) being abused by a worker producing empty entertainment.

Nice to see that the creators of The Simpsons are once unafraid to critique the structures they work within.

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RECENT PUBLICATIONS
» "Pinays," AGNI, Spring 2016
» "Dandy," Post Road, Spring 2015
» "Wrestlers," Fifth Wednesday, Spring 2014
» "Babies," Joyland, August 2011
» "Nicolette and Maribel," BostonNow, May 2007
» "The Rice Bowl," Memorious, March 2005
» "The Rules of the Game," Screaming Monkeys: Critiques of Asian American Images (Coffee House Press, June 2003)
» "Deaf Mute," Growing Up Filipino (Philippine American Literary House, April 2003)
» "Good Men ," Genre, April 2003
» "The Foley Artist," Drunken Boat, April 2002
» "Squatters," Take Out: Queer Writing from Asian Pacific America (Asian Am. Writers' Workshop, 2001)
» "Deaf Mute," The North American Review, Jan 2001
» "The First Lady of Our Filipino Nation," The Boston Phoenix, 1999
» "Paper Route," Flyway Literary Review, 1996
» "Brainy Smurf and the Council Bluffs Pride Parade," Generation Q (Alyson, 1996)
January 2018
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About Me

https://rsiasoco.wordpress.com/about/

About Me

Ricco Villanueva Siasoco is a Manhattan-based writer and non-profit manager. More

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