Burroughs Adding Machine

Social justice, arts and politics, life in New York City

Voice of a Chinese Dissident

Chinese activist and artist Ai Weiwei reminds us how we often take our civil liberties for granted. Interviewed on Christiane Amanpour’s new show, he speaks eloquently about government oppression in his native China. A reminder that whether you’re sharing a quick 140-character Tweet, an innocuous blog post (like this one), or Googling your name on the Internet, folks in highly-censored nations like China don’t share this same freedom.

In fact, Google recently announced that it was moving its Chinese headquarters to Hong Kong in the face of continuing government censorship. Even corporations are choosing free expression over profit.

How exactly does the nation’s Communist government interfere in private lives?

“On one hand, the Prime Minister will recite my father’s poetry,” Weiwei says. “On the other hand, the police will follow me.”

Though he designed the iconic Bird’s Nest stadium for the 2008 Olympics, he still suffered brutality and physical injury for his outspoken beliefs. According to CNN:

Ai has paid a heavy price for his dissent. He says he was beaten in a hotel room by Chinese police and later needed emergency brain surgery for injuries he suffered in the assault.

In this clip from Amanpour’s interview, Weiwei appears fearless in his public statements. There’s not a hint of trepidation or anger in his voice. Makes me wonder: If faced with the same oppression, would I be able to calmly defy the government’s wishes and speak truth to power?

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BIOGRAPHY

RECENT PUBLICATIONS
» "Pinays," AGNI, Spring 2016
» "Dandy," Post Road, Spring 2015
» "Wrestlers," Fifth Wednesday, Spring 2014
» "Babies," Joyland, August 2011
» "Nicolette and Maribel," BostonNow, May 2007
» "The Rice Bowl," Memorious, March 2005
» "The Rules of the Game," Screaming Monkeys: Critiques of Asian American Images (Coffee House Press, June 2003)
» "Deaf Mute," Growing Up Filipino (Philippine American Literary House, April 2003)
» "Good Men ," Genre, April 2003
» "The Foley Artist," Drunken Boat, April 2002
» "Squatters," Take Out: Queer Writing from Asian Pacific America (Asian Am. Writers' Workshop, 2001)
» "Deaf Mute," The North American Review, Jan 2001
» "The First Lady of Our Filipino Nation," The Boston Phoenix, 1999
» "Paper Route," Flyway Literary Review, 1996
» "Brainy Smurf and the Council Bluffs Pride Parade," Generation Q (Alyson, 1996)
July 2017
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About Me

Ricco Villanueva Siasoco is a Manhattan-based writer and non-profit manager. More

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