$100,000 to a street artist?
The celebrated TED Prize, previously awarded to humanitarians like Bill Clinton and Bono, was awarded to Parisian artist J R, who paints elaborate, king-sized murals of local people in the world’s poorest slums. Like many street artists, J R remains anonymous because of the illegal nature of his work.
According to the New York Times, the award is prized just as much for the publicity it raises as the cash:
For most recipients, the value of the six-year-old award has less to do with the money than with the opportunity it grants the winner to make a “wish”: to devote the funds to a humanitarian project that will almost inevitably draw donations and other help from the organization’s corporate partners and influential supporters. The chef Jamie Oliver, the 2010 prize winner, recently proposed setting up an international effort to further his campaign against obesity; Mr. Clinton’s wish has channeled significant resources toward the creation of a rural health system in Rwanda.
Is mainstream acceptance toward street artists changing, or are the artists themselves forcing change?