The New York Times published a long profile of rapper/musician/provocateur M.I.A. in today’s Magazine. Last week, Maya vehemently expressed her displeasure with reporter Lynn Hirschberg’s profile, tweeting Hirschberg’s phone number to her thousands of followers.
It’s an interesting piece, criticizing M.I.A.’s Tamil sympathies with her penchant for agitprop. Among other tidbits, Hirschberg discloses M.I.A.’s interview for film school admission (“If you don’t admit me, I’ll become a prostitute.”), her posh five-bedroom home in the affluent L.A. neighborhood of Brentwood, and the reporter’s understanding of hypocrisy within M.I.A.’s persona (as when M.I.A. claimed to want to give birth in water, though in reality birthing in a private hospital room). The profile creates a portrait of M.I.A. as mysterious as Lady Gaga.
How exactly does Maya meld art and fashion, the personal with the political?
“They have a jumpsuit that I like,” Maya said. “But instead of using their fabric, I want them to use a fabric that’s made from a document I found.” She took out her laptop and clicked on an official-looking typed letter that had been censored. Black bars erased certain words. “I’d like to turn this page into fabric,” she said. “I know someone who can do that. And then I want to take that fabric and make it into a jumpsuit. I’d like to turn censorship into fashion.”
I’ve embedded Maya’s video for “Galang,” one of the catchy, underground beats that launched her career in 2003. It’s obvious from the video how talented M.I.A. was, and how her artistry transcends music to include fashion and politics. No matter what the NYT reports, M.I.A. is in a league of her own.